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		<title>Questions of Appearances in Defoe&#8217;s Roxana</title>
		<link>http://alterletra.wordpress.com/2011/05/23/questions-of-appearances-in-defoes-roxana/</link>
		<comments>http://alterletra.wordpress.com/2011/05/23/questions-of-appearances-in-defoes-roxana/#comments</comments>
		<pubDate>Mon, 23 May 2011 18:52:15 +0000</pubDate>
		<dc:creator>Hugo Blumenthal</dc:creator>
				<category><![CDATA[appearances]]></category>
		<category><![CDATA[reading]]></category>
		<category><![CDATA[research]]></category>
		<category><![CDATA[Eighteenth-century novel]]></category>

		<guid isPermaLink="false">http://alterletra.wordpress.com/?p=238</guid>
		<description><![CDATA[In contrast to Humphry Clinker, in which appearances appear not to be so important (even if, as we have shown, there are some important questions opened by them), Defoe&#8217;s Roxana (The Fortunate Mistress) could be said to depend strongly on a series of questions of appearances. Full text available at www.18appearances.co.uk<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=alterletra.wordpress.com&amp;blog=3997048&amp;post=238&amp;subd=alterletra&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>In contrast to <em>Humphry Clinker</em>, in which appearances appear not to be so important (even if, as we have shown, there are some important questions opened by them), Defoe&#8217;s <em>Roxana</em> (<em>The Fortunate Mistress</em>) could be said to depend strongly on a series of questions of appearances.</p>
<p>Full text available at <a title="Questions of Appearances in Roxana" href="http://www.18appearances.co.uk/defoe/roxana/01.html" target="_blank">www.18appearances.co.uk</a></p>
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		<title>Questions of Appearances in Tobias Smollett&#8217;s Humphry Clinker</title>
		<link>http://alterletra.wordpress.com/2011/05/23/questions-of-appearances-in-tobias-smolletts-humphry-clinker/</link>
		<comments>http://alterletra.wordpress.com/2011/05/23/questions-of-appearances-in-tobias-smolletts-humphry-clinker/#comments</comments>
		<pubDate>Mon, 23 May 2011 18:50:10 +0000</pubDate>
		<dc:creator>Hugo Blumenthal</dc:creator>
				<category><![CDATA[appearances]]></category>
		<category><![CDATA[reading]]></category>
		<category><![CDATA[research]]></category>
		<category><![CDATA[Eighteenth-century novel]]></category>

		<guid isPermaLink="false">http://alterletra.wordpress.com/?p=236</guid>
		<description><![CDATA[On a first impression, on a first reading, Humphry Clinker is not a novel about appearances. For one, its plot doesn&#8217;t seem to revolve around appearances. None of the narrators, as main characters (though not all the &#8216;main&#8217; characters are narrators, and even to call some of them &#8216;narrators&#8217; could be problematic, but we will [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=alterletra.wordpress.com&amp;blog=3997048&amp;post=236&amp;subd=alterletra&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>On a first impression, on a first reading, <em>Humphry Clinker</em> is not a novel about appearances. For one, its plot doesn&#8217;t seem to revolve around appearances. None of the narrators, as main characters (though not all the &#8216;main&#8217; characters are narrators, and even to call some of them &#8216;narrators&#8217; could be problematic, but we will get back to this) could be said, for example, to be concealing something (or putting on an appearance), worried about appearances, or their life and/or future to depend much on appearances (that is, especially if we compare them to other main characters/narrators such as Evelina, Moll Flanders or Roxana, in their respective novels). However&#8230;</p>
<p>Full text available at <a title="Questions of Appearances in Humphry Clinker" href="http://www.18appearances.co.uk/smollett/01" target="_blank">www.18appearances.co.uk</a></p>
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		<title>Questions of Appearances in Fielding&#8217;s Tom Jones</title>
		<link>http://alterletra.wordpress.com/2011/05/23/questions-of-appearances-in-fieldings-tom-jones/</link>
		<comments>http://alterletra.wordpress.com/2011/05/23/questions-of-appearances-in-fieldings-tom-jones/#comments</comments>
		<pubDate>Mon, 23 May 2011 18:23:01 +0000</pubDate>
		<dc:creator>Hugo Blumenthal</dc:creator>
				<category><![CDATA[appearances]]></category>
		<category><![CDATA[reading]]></category>
		<category><![CDATA[eighteenth-century]]></category>
		<category><![CDATA[Eighteenth-century novel]]></category>
		<category><![CDATA[Tom Jones]]></category>

		<guid isPermaLink="false">http://alterletra.wordpress.com/?p=233</guid>
		<description><![CDATA[Tom Jones —as most eighteenth-century novels— appears as a novel of education —in the double sense of being about the education of the protagonist, for the education of the reader— and about the function and the importance of appearances in the world. Full text available at www.18appearances.co.uk<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=alterletra.wordpress.com&amp;blog=3997048&amp;post=233&amp;subd=alterletra&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><em>Tom Jones</em> —as most eighteenth-century novels— appears as a novel of education —in the double sense of being about the education of the protagonist, for the education of the reader— and about the function and the importance of appearances in the world.</p>
<p>Full text available at <a title="Questions of Appearances in Tom Jones" href="http://www.18appearances.co.uk/fielding/tom_jones/01.html" target="_blank">www.18appearances.co.uk</a></p>
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